ACTION TV ONLINE EPISODE GUIDE
EPISODE GUIDE INDEX
The Carnforth Practice
BBC 1974
The Aristocrat
TX : 21st April 1974
Director : Cyril Coke
Script : Allan Prior

Publicity : Actor Michael Elwyn, who plays an aristocratic Lake District solicitor in BBC-2's new series, has been talking to a couple of real-life country solicitors to get the feel of the part. For Radio Times Mike Bygrave reports on How Michael Got His Brief:

"Now look, Michael," Wil Edwards addresses Michael Elwyn, the star of BBC-2's The Carnforth Practice. I"ve got a good trick for you. If you don't believe a witness, roll your eyes. A number of judges do it, because facial expressions don't go on the record and you can't win an appeal on them. And remember, this is your court. Magistrates may come and go, but you belong here. You know you can do anything you want. Some advocates take copious notes, but I don't really think that would be your style. You would probably have your feet up and look half-asleep - and keep rolling those eyes. Do you know the difference between a competent advocate and a great one? A competent advocate works in one style - he's aggressive or learned or charming But a great advocate works in a whole range of styles, and he chooses and adopts the right one for each day of the case".

"Solicitors in the country are sort of civilian confessors. In London, solicitors deal with business, in the country with people": No mistaking Wil Edwards' profession from those fluid Welsh tones - or his equally fluid performances at the wheel of his Lancia and with his after-dinner brandy. As well as being Labour MP for Merioneth up until the last election, he works as a country solicitor, and he's the legal advisor for the new BBC-2 series about an aristocratic solicitor. "You'd have a job finding any solicitors who were actual aristocrats," says Michael Elwyn who plays the Honourable Greville Carnforth, "but that's dramatic licence. Solicitors do tend to come from the upper-middle class. Both Wil and I are of good Welsh stock and we both wanted to be barristers, but acting - and in his case, politics - intervened. "My father's a clergyman and my mother's a magistrate so I've some idea of what it's like to be a figurehead in a closed community. They all know you before you know them. But there's no real class distinction: everybody mixes at all levels". "In a small country practice, you're your own master. It's a very pleasant life. I wouldn't swap it
for the rat-race at any price": To get the feel of his part, Michael spent hours talking to both Wil Edwards and to Peter Thomson, a solicitor from Kendal in the Lake District. Thomson is a tall, etiolated man with a body that swiftly adopts the lounging posture, hands in pockets, of the countryman.

He comes from a long line of country lawyers. His father, both his grandfathers and an uncle were solicitors before him. In the Lake District, where nothing changes faster or more dramatically than the weather - looming mist and driving rain can envelop a lake for an hour and suddenly
clear to a scouring wind and bright sun - it's easy to believe time stands still. But both Thomson and Edwards lament the decline of the all-round lawyer. "Our forefathers were considered influential people because they knew a little bit more about everything than the average man. Now we're failing to come to terms with the new body of law that's grown up - social security, tax laws and the like," says Wil Edwards. Peter Thomson has an even more poignant sense of how rural society has contracted: "This area was full of genuine `characters' before the First World War. There was a chap called Herbert John who had this little pal called Eddie and they used to go driving. `Eddie, hast ever driven through a hedge?' `No, Herbert John' `Hold tight, then'. And they drove through a hedge and round the field, back through the hedge and off up the road again. Another time they came to a railway station. `Eddie, hast ever driven round a station?'. And off up the platform they went. These were all highly individualistic people, who didn't give a damn for anybody. There's no place for them in the modern world. Try doing it now and you'd have the full force of the law on you".

"Our forefathers were considered influential people because they knew a little bit more about everything than the average man". Neither Thomson nor Edwards would swap the country life for a town practice, even though they might make twice the money working for a city firm. "If you were acting for a big company," says Edwards, "you wouldn't meet a single person. They'd telephone you with instructions. In town, it's the firm's reputation that matters. In the country, it's your own". Thomas agrees: "I remember one client of my father's, who came in and said her husband had just died. My father made the appropriate noises, but she said `Well, what I've come for is this - do you think I should re-marry?'. We're looked upon as confessors, in other words". "I've some idea of what it's like to be a figurehead in a closed community. Everybody knows you before you know them". (Radio Times, April 18, 1974 - Article by Mike Bygrave).


Cast :
Leonard Rossiter (Aaros Boswell), David Daker (The Tanker Driver), Cyril Varley (The Passer-By), Arthur White (Sergeant Armstrong), Tom Chadbon (Police Constable Henderson), Caroline Whitaker (Angela), Pamela Salem (Doctor Helen Rheinman), Frank Duncan (The Magistrate) and John Laurimore (The Land Lord).

Synopsis :
While trying to help another "Aristocrat" - a full-blooded Romany - The Honourable Greville Carnforth's identification with him leads to a dangerous encounter.

Notes :
Episodes were originally transmitted 10:00pm to 10:50pm on BBC 2.


The Last Roman
TX : 28th April 1974
Director : Cyril Coke
Script : Donald Bull

Cast : Leonard Rossiter (Aaros Boswell), Maurice Denham (Ernest Railton), Alan Troy (The Dog Owner), Carrie Kirstein (Yvonne), John Devaut (The Clerk Of The Court), Brian Gilbert (Tim), Caroline Whitaker (Angela), Sylvia Coleridge (Miss Railton), Arnold Locke (Boyle), Terence Hardiman (James Railton) and Ronald Markham (Parson).

Synopsis :
A magistrate of the highest integrity is known to be guilty of a crime. Where do Greville Carnforth's loyalties lie?

Undue Influence
TX : 5th May 1974
Director : Christopher Barry
Script : Pat Hooker

Cast : Wendy Williams (Lydia Rogers), Anthony Woodruff (John Rogers), Colin Baker (Bob Anderson), Gabrielle Hamilton (Miss Saunders), Dennis Edwards (Mr Prentiss), Robert McBain (Doctor Stanton), Janice Anthony (The Nurse), Helen Worth (Ann Pollock), Brian Gilbert (Tim), Freda Dowie (Mrs Pollock), Allan McClelland (Father Martin) and Sheila Burrell (Martha Webb).

Synopsis :
A case is mystifying Doctor Helen Rheinman; a young girl is healthy but incapable of walking. Talking it over with the Carnforth family, Lady Mary says, "She sounds as if she's bewitched".

Untitled
TX : 12th May 1974
Director : Christopher Barry
Script : Colin Morris


Cast : John Dunbar (The Coroner's Officer), Ray Mort (George Hale), George Innes (Freddie), Roger Ostime (The Pathologist), Julian Somers (Doctor Ivan), Frank Forsyth (The Foreman Of The Jury), Maryann Turner (The Mother), Perry Balfour (The Son), Caroline Whitaker (Angela), Freda Bamford (Mrs Palfrey), Brian Gilbert (Tim), Victor Brooks (John Nash), Joanna Ross (The Groom), Peter Lawrence (Tom), Carolyn Hudson (The Publican), Graham Ashley (Chief Inspector Haldon), Gordon Griffin (The Detective Constable), Ann Windsor (Mrs Roberts), Edgar Wreford (The Defending Counsel), Peter Welch (The Prosecuting Counsel) and Christopher Banks (The Judge).

Synopsis : A tenant on the Carnforth estate gets drunk, boasts that he killed his wife and has committed the perfect murder.


The Tattered Anarchist
TX : 19th May 1974
Director :
Colin Cant
Script : Eric Pringle

Cast : Campbell Singer (Colonel Nigel Douglas), Harry Markham (Norman Coniston), Wendy Gifford (Catherine Douglas), Daphne Oxenford (Marion Douglas), Caroline Whitaker (Angela), Des Flanagan (The Tourist), Rita Howard (The Tourist's Wife), Brian Gilbert (Tim), Hugh Morton (The Magistrate), John Devaut (The Clerk Of The Court), Martin Scott (The Police Constable) and John Stuart (The Judge).

Synopsis :
Greville is caught in the fire of a highly individualistic shepherd bent on pulling down the preserved world of a retired Colonel.

Adam
TX : 26th May 1974
Director :
Christopher Barry
Script : Mervyn Haisman

Cast : Pamela Brown (Nancy Burton), David Collings (Adam Burton), Edmund Bailey (Willie), Brian Gilbert (Tim), Caroline Whitaker (Angela), Aimee Delamain (Lady Mary), Patrick Godfrey (Nicholas Ashby), Michael O'Hagan (The First Attendant), Anthony Benson (The Second Attendant) and George Waring (George).

Synopsis :
Greville wonders whether a client might be his half-brother, but the reticence of their respective mothers, and the handicap of the client, make it impossible to learn the truth.


Actor Michael Elwyn who plays Greville Carnforth with real life solicitor Peter Thomson on location in Hawkeshead.

Somewhere between Yorkshire Television's The Main Chance and Carlton Television's Kavanagh QC, The Carnforth Practice concerned itself primarily with the personal and professional lives of the Honourable Greville Carnforth, a solicitor working in the Lake District in Northern England. Far from featuring emotion-charged courtroom scenes or members of the legal profession undertaking detailed investigations to support or disprove police evidence, this delightful and above-average drama series, devised and created by Colin Morris and Diane Campbell, concerned itself with the more secular legal boundaries facing a solicitor running a practice for the needs of a local community.



Leonard Rossiter as Aaros Boswell in the first episode of the series, The Aristocrat.

As cited in the Radio Times article which heralded the programme's arrival, the series took to its heart the thematic premise that a large legal firm in a thriving city acts upon its reputation, whereas a small country practice relies on the reputation of the person who runs it. Thus, a great deal of the popularity of the series relied on the empathy leading actor Michael Elwyn could establish with audiences as Carnforth, and his approach to unusual cases over the course of six fifty-minute episodes. Whether as a legal practitioner or merely an advice counsel, Carnforth became involved in relatively straightforward cases which impacted the local community and outskirts, and was relatively undemanding fare. Script contributions from Allan Prior, Donald Bull, Pat Hooker, Colin Morris, Eric Pringle and Mervyn Haisman underlined the high calibre of the storylines featured, visually realised by strong supporting performances from Leonard Rossiter, Maurice Denham, Anthony Woodruff, Colin Baker, Campbell Singer, Pamela Salem and Godfrey James. The series was produced by Colin Morris, with directorial contributions from Cyril Coke, Christopher Barry and Colin Cant.


The programme was a moderately successful approach to a different legal angle, something which would once again prove popular in the Lindsay Galloway devised series Sutherland's Law a few years after this series. Whilst the programme was not recommissioned for a second season, the BBC took the prudent decision to rest this series before the limiting concept of local issues and quirky characters could become unpalatable, a lesson Yorkshire Television could learn with regard to Heartbeat. The series was globally exported but never commercially released.


Text © Matthew Lee, 2004.

Characters
Portrayed By
The Honourable Greville Carnforth
Michael Elwyn
Lady Mary, Dowager Coutness Of Penmere
Aimee Delamain
Doctor Helen Rheinman
Pamela Salem
Lord Penmere
Mark Edwards
Carmelita
Gigi Gatti
Wally Scott
Godfrey James
Gaunt
Neville Jason

The series was devised and created by Colin Morris and Diane Campbell. The series was produced by Colin Morris.