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TV ONLINE EPISODE GUIDE | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Largely
considered one of the peak products of BBC Television's
occasional flirtation into the realms of telefantasy, The
Changes was based on Peter Dickinson's trilogy of
novels, The Devil's Children, Heartsease and The Weathermonger,
and adapted for television in ten twenty-five-minute episodes
by series producer Anna Home.
The story itself was viewed through the eyes of young Nicky Gore (Vicky Williams), living in a United Kingdom of the near future in which adults have been possessed by a mysterious force which causes them to violently smash and destroy any form of machine and revert back to the dark days of superstition. A throbbing electrical noise is driving the adults to perform these violent deeds, much to the bewilderment of the children who are seemingly unaffected by these sudden and inexplicable "Changes". Alone in a nameless city (actually filmed on location in Bristol) after her parents have evacuated to France she encounters a group of Sikhs in search of somewhere to live - and somehow unaffected by the noise which drives others to destroy. In the course of her association with this unusual band of people, she becomes embroiled in a kidnap plot by a band of criminals who have captured the local village's children, meets Mr Davy Gordon (David Garfield) and stands trial as a witch (as the world plunges back in time to the dark days of suspicion and finger-pointing at those different from the common herd). She makes her escape in the company of two other children, Jonathon and Margaret (Keith Ashton and Zuleika Robson), and the former accompanies her on the Heartsease, a boat which will take them on a dangerous journey towards the centre from which the strange weather conditions and the mysterious sounds are emanating from. After the craft is struck by lightning, they swim ashore and emerge in a mysterious and deep cavern whereupon they encounter Mr Furbelow (Oscar Quitak), who imparts to them his knowledge of a bold plan to hurtle the world back to the pre-Industrialised age by way of the dark powers of Merlin. Their combined forces, in a bid to return the world to its proper time and place, put paid to the "Changes", but not before an allegorical lecture has been delivered to audiences of the dangers of mass dependence on industry and technology at the expense of a comparative "golden age" of existence. With a limited budget, the series certainly succeeded in capturing the attention and sustaining interest, and broached some difficult subject matter in an attractive fashion. Certainly, the opening episode served to inject the "fear-factor" into audiences as a terrible glimpse of a possible future was afforded, but for the most part the series found it difficult to maintain its footing, only coming together towards its climax. The series is largely regarded in such high esteem by rumour and hearsay more than by virtue of the viewing of its actual content, as the programme could very easily have been reduced in length to six episodes (rather than ten), and with stronger editing may have proven a more palpable success. Such as it is, the first episode remains the most memorable outing for the majority of viewers, with something akin to padding sustaining the entirety of the programme and a largely unsatisfying (and somewhat difficult to consume, given the links to Arthurian legends) conclusion. Its somewhat ponderous pace counts against it in many important respects, however the content itself was approached in a novel fashion (albeit somewhat preaching to the converted in stages, as with a fare majority of BBC Television of the period) and commanded notable supporting performances from the likes of Bernard Horsfall, Marc Zuber, Edward Brayshaw and Tom Chadbon. Directed by John Prowse, the series was globally exported, but its commercial realisation was limited to the novels upon which the programme was based. The series has never been released on either VHS or DVD and there are currently no plans to do so. Repeated on terrestrial television in 1976, and gracing the UK Gold schedules in the mid-1990s, the series is long sought-after by archive television enthusiasts. Text © Matthew Lee, 2004.
The series was written by Anna Home, adapted from the trilogy of novels by Peter Dickinson entitled The Devil's Children, Heartsease and The Weathermonger. The series was produced by Anna Home and directed by John Prowse. The theme music and incidental music was written by Paddy Kingsland of the BBC Radiophonic Workshop. |
Synopsis : Your car in their hands? Why has everybody started smashing up machines and why does Nicky Gore feel compelled to join in the changes? When the world seems to go mad and everyone starts smashing machines, Nicky Gore doesn't understand what's happening; but she joins in just the same Notes : Episodes were transmitted 5:20pm to 5:45pm on BBC 1. ![]()
Synopsis : Nicky thinks she is quite alone in the deserted city - but then she hears singing
Synopsis : Nicky and the Sikhs continue their search for a safe place to live, until Nicky comes up against a seemingly impenetrable barrier.
Synopsis : The Sikhs, with Nicky's help, are now trading with the local village, but the villagers remain very suspicious of the Sikhs - until the arrival of a much more sinister group of strangers
Synopsis : Nicky manages to rescue the village children from the robbers, but her troubles are by no means over
Synopsis : Nicky, accused of being a witch, is on trial for her life; and it looks as if the verdict is going to be "guilty"
Synopsis : Having got Nicky away from the village, Jonathon is sure they are safe; but he hasn't reckoned with Davy Gordon
Synopsis : Jonathon is convinced he and Nicky will get away safely on Heartsease. But Davy Gordon has other ideas
Synopsis : Nicky seems to be safe at last; but she knows she cannot stay with Michael and Mary forever
Synopsis : Nicky is certain that she is now close to whatever caused "The Changes" |