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TV ONLINE EPISODE GUIDE | ||||||||||||||||||||||||||
Director : Ian Toynton Script : Ian Kennedy Martin Cast : Alan Ford (Jack Arthur Bross), Roger Bizley (Jimmy Mellor), Dorothy White (Daria Lejeune), Peter Joyce (The Hospital Registrar), Mike Lewin (Sergeant Wicks), Shirley Stelfox (Arlene), Jack Le White (Old Harry Rose), Venecia Day (Rose's Secretary), P H Moriarty (Rose), John Bott (Detective Chief Superintendent Halsey), Robert Lee (Joe Ho), Ahmed Khalil (Jamshid Kamal), Allan Surtees (Ex-Detective Chief Inspector Marley Harris) and Sarah Lam (Mei). Publicity : The Chinese Connection - John Ho is a Detective Sergeant in London's East End. He doesn't look like a cop: he's quiet, he's a longer, and his background is Chinese. But looks can deceive. He's tough and he's remorseless. And he's the hero of BBC-1's new thriller series. David Yip, who plays the character, talks to Lesley Thornton: Looking Chinese and being English, David Yip has had to face a problem that many Britons who are the children of immigrants have to face. "Externally you are one thing. Inside you are a different thing," he says. David Yip's father is Chinese, his mother English. He was born and brought up in working-class Liverpool, and when he was a little boy he was never conscious of being different. "Liverpool is a melting-pot. I was a real Scouse - one of the lads. My schoolmates were all colours, all Scouse. Only in my teens I began to notice the odd remark and I realized that there were two me's. A lot of kids of my generation go through this". Now he is an actor, lives in London, in Shepherd's bush, and speaks English without an accent. He is slight, gently spoken, casually dressed in corduroy trousers and cable-stitch cardi. He sits at a round pine table in his cosy low-ceilinged flat, all beige and brown and olivey green and shelves full of books - Michael Foot on Bevan, The Palestinians, The Impressionists - and talks about John Ho, the Chinese detective he plays in BBC-1's new series. Like Yip, Ho is one of the second generation, but both his parents are Chinese and he was born and brought up in the Chinese community of the East End of London. He joins the police in an effort to break out, define his identity. David Yip is very excited about the part: "I can understand his feelings". The Chinese community is a very tight one, says Yip. It is also, he thinks, complacent and placid. The people are self-disciplined and so, traditionally, is the community. It has kept its crime, as well as itself, to itself. "Chinese crime has always been internal. There is illegal gambling, opium-smoking and so on, but for the Chinese themselves. Historically the police have not had much to do with them". John Andrew Ho, the Chinese detective, is twenty-five, a Detective Sergeant in Limehouse, the fog-draped haunt of sinister Chinese villains in Victorian novels. Yip wandered about there before work began on the series. "The dock area reminded me of Liverpool. The people look stunned. It has a dying smell". In fact, despite talk of the need for minority representation, height restrictions tend to keep the Chinese out of the police. "But there must be at least one Chinese policeman in London," says David Yip. "I saw him on the news when they showed the Chinese New Year celebrations in Gerrard Street". John Ho is trying to find himself outside the strict rules of the Chinese community he was born to. "I think he suddenly said one day: `I'm a Londoner, too'". Ho has another reason for joining the police, a mission connected with his father's part which is revealed in the first episode of the series. He is totally determined, but also quiet and gentle: far from the classic macho detective of television. His thoughts, background and reactions are quite different from those of his police colleagues - he is, inevitably, an outsider. The Chinese detective lives alone. So does David Yip, at the moment. One of a large family, it's a new and exhilarating experience for him. He is now separated from his wife, but remains friendly with her. Yip, who is twenty-nine, is in fact one of eight children. He became an actor by accident. He did nothing at school but play football, he says. But he did pass his eleven-plus, thrilling his father, a seaman, who wanted his children to do well. "The Chinese have this intense desire to make something of themselves, to succeed," says Yip, who doesn't feel her has inherited it. After he left school, at sixteen, he got a job as a shipping clerk on the railways. "The work was neither hard nor detestable," he comments. He spent his lunchtimes browsing in the big library in the centre of Liverpool. "One day I went to the drama section and started reading Waiting For Godot. It blew my mind". Thereafter he read and read plays. Then Yip decided to see what a play was like on stage. His first was The Two Gentlemen Of Verona: "I didn't understand the story but it was amazing. They were doing their thing". So he decided he would like to work in the theatre; not act, that had not yet occurred to him. He got total support from his parents, although it meant the loss of a job and prospects and a fifty percent drop in salary - and he was contributing to the family finances. He started off as assistant stage manager at the Neptune Theatre in Liverpool. Later he went to the E15 acting school in Essex, attached to Joan Littlewood's theatre. For any actor getting work is hard. For one who isn't white, it is a lot harder. Yip has been acting for eight years. He resolved to fight for any and all parts; he has, he says, been lucky. He worked at the Young Vic for thirteen months, and well remembers playing Benvolio in Romeo and Juliet. "When I made my first entrance every night I'd hear a ripple run through the kids in the audience: "But he's Chinese!". As the play went on, they grew to like me and I got a few laughs. David Yip feels very strongly about British casting traditions. He is on the Afro-Asian committee of the actor's union Equity, which has been fighting for integrated casting on merit for years. "People will say it's not realistic to have a black man playing a white. Then you get white actors blacking up - Othello, for example. In On The Buses the characters were all white - public transport would come to a halt without blacks. A point the committee has made about the subsidised theatres is that non-whites are paying their taxes, too, to support them: "What are they doing to reflect society?". Kids who are black or any other colour need fictional images to relate to. And actors, Yip feels, are themselves powerful images in our society. But progress has been made. This new series could not have been made, Yip says, even three years ago. He was thrilled when he read the pilot script. "I've sat here thinking, `I'm not getting the parts, should I write something? What would I write?'. I just shook at the way Ian Kennedy Martin - a white guy - had caught everything I dreamed about". David Yip has thought a lot about what being Chinese means. "I have come to the conclusion - not an original one - that the Chinese are everyone's favourite foreigner. They are hardworking. No matter where they go, they become businessmen and lock in with the community". As an adult, he tried to learn Chinese - they always spoke English at home - but he is not very good at languages. He has been to the Far East; his first walk through Singapore was a revelation. "I was with four friends and people were looking at them as foreigners," he says. "I knew how you, for example, feel on the streets out there". Yip also went to China, to Canton where his father was born. "When the plane landed I was in tears. I felt I beloned, yet I didn't belong". Although most of his attitudes are Western, David Yip can see certain Chinese qualities in himself. "There is the passivity, the compliance which I, at least, see in Chinese people. I am very patient, like my father - when they get mad a lot of Chinese don't explode. There's a stillness. The Chinese detective in this series takes many blows - moral and emotional, not physical - if he was more demonstrative and let things out more, it would be better. He does have a wonderful sense of humour - humour is the Chinese outlet. But their humour is weird. I don't understand it". (Radio Times, April 25, 1981 - Article by Lesley Thornton). Synopsis : A released prisoner, a smashed window and a terrified wife. Detective Sergeant John Ho discovers that past crimes breed present strife and future violent. Notes : Episodes were originally transmitted 9:30pm to 10:20pm on BBC 1 on Thursday evenings. Music for the series was provided by Harry South.
Director : Terry Green Script : Ian Kennedy Martin Cast : Matthew Scurfield (Detective Inspector Gratton), Dickie Richards (The Drug Squad Inspector), Keith Hodiak (The West Indian Club Member), John Bott (Detective Chief Superintendent Halsey), Leslie Sarony (Mr Prince), David Sibley (Derek), Larrington Walker (Ezra), Paul Satvender (The Indian Chess Player), Vincent Wong (Mr Hong), Ray Mort (The Polish Caretaker), Johnny Shannon (The Butcher), Helen Keating (Sandra Beatty), Brian Croucher (Jack Managan), John Judd (Roy Kinnock), Tony Barton (The Club Compere), Brian Dee (The Club Organist), Peter Quince (The Motorcyclist), James Marcus (Charlie), Steve Gardner (Terry), Terry Downes (The Villain) and Donald MacIver (George Mallinson). Synopsis : The murder of a Chinese club owner sets John Ho in the middle of a gangland struggle for power - and into the bad books of Chief Inspector Berwick.
Director : Terry Green Script : Ian Kennedy Martin Synopsis : Mr Hong holds the key to a big prize which the Fulham gang are desperate to win. John Ho observes them all - and witnesses the evil result of ambition and greed. With Vincent Wong (Mr Hong).
Director : Ian Toynton Script : Ian Kennedy Martin Cast : Lee Montague (Reg Purnell), Nicholas McArdle (David Melvyn), Yvonne Brewster (Patel's Secretary), Renu Setna (Mr Patel), Mark Buffrey (The Car Salesman), Ishia Bennison (The Consulate Receptionist), Jacob Witkin (Mr Shamal), Bill Treacher (The Bus Driver), Kenneth Gilbert (Sergeant Porritt), Dicken Ashworth (The Large Man), Jenny Cox (Natalie Karl) and Marc Zuber (Sheik Ahmed Mahmoud). Synopsis
: When a villain puts dishonesty behind him, he doesn't
want to be reminded of his past by the tax man - or by the
tenacious John Ho.
Director : Tom Clegg Script : Ian Kennedy Martin Cast : Fiesta Mei-Ling (Anna Wo), Fred Lee-Owen (Chung Ling), Frank Coda (Detective Sergeant Carrier), Hi Ching (The First Son), Frankie Au (The Second Son), Eric Kent (Sergeant Ellerton), Larrington Walker (Ezra), Joycea Gobern (The Girl In The Club), Robert Lee (Joe Ho), Kay Tong Lim (Scarface), Frank Lee (The Head Porter), Chua Kah Joo (Li Wo), Susan Twist (The Receptionist) and Philip Tan (The Chinese Villain). Synopsis
: John Ho becomes involved in a complex Chinese puzzle
- and goes into hospital to take care of a patient.
Director : Tom Clegg Script : Ian Kennedy Martin Cast : Peter Schofield (Detective Chief Inspector Maunsell), Peter Dean (Greg), Michael Melia (Milner), Roger Sloman (Roger Horrabin), Allan Surtees (Ex-Detective Chief Inspector Marley-Harris), Ian Hendry (Eddie Dwyer), Larrington Walker (Ezra), Diana Malin (Ellen), Robert Lee (Joe Ho) and Paul Barber (Ned). Synopsis
: John Ho plays for high stakes when he gambles his own
life to accomplish his personal mission.
Director : Ian Toynton Script : Ian Kennedy Martin Cast
: Maurice
Denham (Edward Ruthven), Harold Reese (The Court Usher), Robert
Lee (Jo Ho), Stephen Whymet (The Police Constable), Richard
Rees (Doctor David Li), Nat Jackley (Rex Madden), Allan Surtees
(Ex-Detective Chief Inspector Marley-Harris), John Kidd (The
Judge), John Rowe (The Prosecuting Counsel), Frank Gatliff
(The Defence Counsel), Rosemary Smith (The Court Clerk), Pamela
Manson (The Landlady), Tony Melody (Mr Morris), Jacqui Chain
(Mei), Alexander John (The Desk Sergeant) and Neil Hallett
(Mr Fisher).
Director : Terence Williams Script : Ian Kennedy Martin Cast
: Alan
Ford (Jack Bross), Eddie Tagoe (Prince Majesty), Troy Foster
(Eli), Dana Michie (Hatman), Merdelle Jordine (Myra), Lucienne
Camille (Alliss), Ray Marioni (The Italian), John Savident
(Don Lidell), John Michael McCarthy (Roy), Robert Russell
(Eric Leggatt), Paul Antrim (Chief Inspector Seddon), Richard
Rees (Doctor David Li), Michael Barrington (Chief Superintendent
Nuttall), Albert Moses (Mr Patel), Larrington Walker (Ezra),
Robert Lee (Joe Ho), Stephen Lawrence (The Foreman), Barry
Smith (The First Doctor), John Graham (The Hotel Manager),
Eugene Geasley (Paddy Mack), Helen Gold (The Second Doctor)
and Rom Emslie (Detective Sergeant George Whatley).
Director : David Green Script : Ian Kennedy Martin Cast
: Rudolph
Walker (Terence Villiers), George Sewell (Jack Longman), Rosemary
Martin (Greta Longman), Brian Coburn (Smith), Philip Dunbar
(Mr Elderton), Richard Rees (Doctor David Li), Carrie Jones
(Dora), Kate West (Elizabeth), Keith James (Pete) and Larrington
Walker (Ezra).
Director : Ian Toynton Script : Ian Kennedy Martin Cast
: Edward
Hardwicke (Detective Chief Inspector Lowell), Bryan Marshall
(George Bourne), Marc Gilbey (Tommy Mancey), Ben Howard (Dave
Mancey), Charles Cork (Bernard Hailey), Terry Cowling (Higgins),
Sam Cox (The Epping Detective), Joseph Iles (Ollie Covill),
Leslie York (Elton Morley), John Bott (Detective Chief Superintendent
Halsey), Ron Emslie (Detective Sergeant George Whatley), Linda
Marlowe (Greta Mancey), Alexander John (The Desk Sergeant),
Pam St Clement (Aunt Daisy), Larrington Walker (Ezra), Malcolm
Fredericks (The Man In The Club) and David Auker (Sergeant
Western).
Director : Laurence Moody Script : Eddie Boyd Cast : Maurice Roeves (Halliday), John Horsley, David Bannerman and Heather Page. Synopsis : When a Glaswegian gunfighter rides into Limehouse there's blood on the streets. But Doc Halliday's fantasies have a way of exploding in other people's faces, as John Ho finds out...
Director : Jeremy Summers Script : Ian Kennedy Martin Cast
: George
Baker, Derren Nesbitt, Roy Scammell and Valentine Palmer.
Director : Leonard Lewis Script : Eddie Boyd Cast
: Kenneth
Gardiner, John Collin, Peter Copley, Richard Rees (Doctor
David Li), Troy Foster and Patsy Smart.
Director : Brian Lighthill Script : Ian Kennedy Martin Cast
: Tony
Caunter, Paul Antrim, Patrick Malahide, Maurice O'Connell,
Anna Wing, Michael Robbins and Chris Webb.
The series was devised and created by Ian Kennedy Martin. The series was produced by Terence Williams. Story Editors for the series were Joan Clark (Series 1) and Antony Root (Series 2) |
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